I Just received this lovely box containing 16 half pans of Winsor & Newton watercolor paints in a heavyweight enameled case. The size of the case and the fold-out enameled palette make it ideal for traveling and painting on the go! I can hardly wait to try it out! Thank you Winsor & Newton!
My next Painting Seascapes in Watercolor workshop will be held Saturday, August 29 from 9am - 4:30pm at the Bayou Lacombe Art Center in Louisiana. Participants in this intense one-day workshop will learn how to create realistic seascapes utilizing washes, glazes, wet on wet, dry brush, and other techniques to paint a variety of effects. Click on the Workshops link at the top of this page for a full description and the supplies and materials list. The fee for this workshop is $90 and includes lunch. Contact Barbara for more information or to register. Hurry, space is limited!
One of my favorite tools in my paint box is masking fluid, also known as liquid frisket. Masking fluid is a liquid rubber product that is used by watercolor painters as a water resist - in other words, it preserves the white of the paper and protects it from paint. These tips will help you use your masking fluid well and get the maximum benefits for your paintings.
1. Masking fluid that is old or contaminated will be difficult or even impossible to remove from paper. For best results use fresh fluid, and write the date on the bottle when it is first opened. Discard any unused products after one year, or sooner if the product has become difficult to remove from your paper or if it's colorant has left a stain on your paper. Also, paper that is very old will have deteriorated sizing, and that, too, will affect how your masking fluid adheres. Always use fresh products for the best results.
2. Never EVER shake bottles of masking fluid, it will incorporate air into the fluid which will shorten the shelf life of the product, and make it more difficult to use. Instead, gently swirl or stir the liquid until thoroughly mixed. Adding a pair of small glass beads, marbles, or steel ball bearings into the masking fluid’s jar will help you to mix the fluid easier.
3. To apply the fluid, use a brush that has plastic bristles. The kind that are often found in dollar stores in the children’s or toy section, and usually come in a package of a dozen or so for around a dollar. The stiff plastic bristles allow for maximum control, and can be trimmed with scissors to any needed shape. The plastic bristles do not absorb the fluid, making it easier to clean and reuse. 4. Apply masking fluid generously. The thicker you apply it, the easier it will be to peel it off later. Thinly applied masking fluid will be difficult to remove.
5. Even with the plastic brushes, it is still best to rub a little liquid soap into the bristles before using them with masking fluid. The soap creates a barrier between the brush and fluid, and makes it easier to clean.
6. Make sure your paper is perfectly dry before applying or removing masking fluid. Never apply it to wet or damp paper, and never try to remove it from wet or damp paper.
7. If you spill or spatter masking fluid somewhere where you don’t want it (such as on your workbench, floor, or other areas of your painting), don’t try to wipe it up. You’ll only end up rubbing it into the surface, making it even more difficult to remove. Instead, let it dry completely and then peel it off.
8. Once you’ve applied the fluid to your paper, don’t leave it on for more than a week. The longer it’s there; the harder it will be to remove. Also, heat will harden masking fluid and make it more difficult to remove, so don’t leave your painting in a hot place or apply heat from a hair dryer while the masking fluid is on your paper.
9. When you’re ready to remove the masking fluid, use a rubber pick-up tool. This inexpensive square tool is made of crepe (aka: gum) rubber and will stick to the dried mask to pull it off your paper with little effort and no damage.
This photo shows plastic brushes, steel ball bearings, masking fluid (aka: liquid frisket), and a rubber pick-up tool. To see how masking fluid is used, click here to see a step-by-step tutorial of one of my recent maritime paintings...
Watch this short video for more masking fluid tips!
I am pleased to announce that the Louisiana Cultural Economy Foundation has awarded me a grant to create an art instruction video. In a few weeks I will begin filming the first video in my series, painting seascapes in watercolor. Stayed tuned for latest news and information!
native of Naples, Florida, Annie Strack is a classically trained professional
artist whose formal art school training included advanced studies of multiple
artistic mediums. Although she is best known for her reputation as a
contemporary master of maritime painting, she is also an experienced expert in
many other mediums, subjects, and styles. As a commercial artist, her designs have been used
by hotels, restaurants, retailers, and other businesses for decades. An
experienced drafter, she has created architectural renderings for dozens of
architects and building contractors and her renderings have been featured in
been published in several magazines including The Artist’s Magazine, Watercolor Magazine, The Crafts Report, Wooden
Boat International, Country Roads, Gallery Insider, House & Home, Louisiana
Life, Gulf Coast Arts & Entertainment Review, Louisiana Homes &
Gardens, and Covington Magazine, and
she has been featured in dozens of newspaper and television interviews. Her art
has been featured on the covers of Art
Calendar Magazine, Harmon Homes Magazine, Inside Northside Magazine, and Northlake News Magazine. She’s the
author of The Artists Guide to Business
& Marketing, and since 2005 she’s been a feature writer and
contributing editor forProfessionalArtist Magazine; the premier national business magazine for visual artists.She is the host
of the wildly popular television show Painting
Seascapes in Watercolor, which is broadcast on over 180 television stations
worldwide and also available on DVD.
has earned the prestigious honor of Signature Membership in 8 national and
international societies including the International Society of Marine Painters, and she is an Official Authorized Artist for the USCoast Guard.Her
paintings, prints, & posters are in over 1,000 public, corporate, and
private collections worldwide, including: US Coast Guard, US Navy, US Senate, US
Pentagon, Veterans Administration, Fredonia Museum, Zigler Museum, Lake
Pontchartrain Maritime Museum, Jefferson Parish Courthouse, St. Tammany Parish
Public Art Collection, St Tammany Parish Hospital, Ochsner
Foundation, New Orleans World Trade Center, and many more.
Annie Strack is an adjunct professor at Artist's Network
University, where her painting courses have become the most popular classes
that the school offers. She also travels around the world to teach workshops
and jury exhibits, and in between her busy travels she can be found painting or
teaching in her studios near Philadelphia and New Orleans. She endeavors to dip
her toes in an ocean at least once a month.
All images and content copyright Annie Strack 2008
Although I occasionally receive compensation for some posts, I always give my honest opinions, findings, beliefs, or experiences on those topics or products. The views and opinions expressed on this blog are purely my own.