Tuesday, August 9, 2016

New pens for plein air watercolor painting!

I just tried some new products for watercolor painting en plein -- opaque white gel pens. These pens are lightfast and archival, making them ideal for watercolor painters. The Uniball pen was a given to me by my dear friend, artist Deb Watson. The Sakura and Marvy pens I found in the crafts department of a fabric store chain. Both the Uniball and the Marvy are 1.0 mil wide, and the Sakura is .04 wide. The wider ones are better for watercolor. Because these are opaque, they cover very well and can be used to add whites to a watercolor painting at the end. This makes it perfect for painting en plein air, when it's inconvenient to use masking fluid. 


 In other news, my workshop in Spain next Spring is almost full! There are only a few seats left, and prices go up after November 2016 so you don't want to wait until the last minute to reserve your space!

As an added bonus, I'm giving away white gel pens, traditional sketching pens, and a special sketchbook to each artist in this workshop!

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posted by Annie Strack @ 9:37 AM   0 Comments

Thursday, July 28, 2016

Plein Air Painting at the Brandywine Museum of Art

I had a wonderful day last week at the Brandywine River Museum of Art during their "Inside Out Plein Air" event. Three other artists and I were invited to paint inside the museum, which was especially nice since the outside temperature was in the high 90's with a heat index in the triple digits. I quickly painted a couple of watercolors of my view of the river, and then a small watercolor of the vase of white hydrangeas in the lobby.

Brandywine River Plein Air, 12x9 watercolor 

Brandywine River Plein Air, 9x12 watercolor 

Brandywine River Museum Interior, 6x4 watercolor 

I don't often get the opportunity to practice painting live figures, so I was thrilled to be able to get out my sketchbook and fill several pages. People standing around and walking about the museum lobby were perfect models, and because I was there with permission I was able to paint to my heart's content without any intrusions. Afterwards, some of my students saw my plein air figure sketches and have asked me to add the lessons to my schedule. Ask, and you shall receive! Figure Sketching in Watercolor is being added to the curriculum of my upcoming workshop in Spain, and one-day classes will be added to my lineup of studio classes.

Plein Air Figure Sketching in Watercolor

 In other news, merchandise is still arriving for the Plein Air Brandywine Valley event in October! Cheap Joe's Art Stuff just sent us a $100 Gift Card and fashionable painting apron that some lucky artist will win as a Merit Award at the event. The name of the comapany -- Cheap Joe's -- is quite an oxymoron as anyone who's ever done business with them knows they are as generous as the day is long.

We're now up to 14 Merit Awards, in addition to the top awards which total over $10,000 in cash! There's still time to apply, although the entries will close in a week so that notifications can begin.

$100 Merit Award for Plein Air Brandywine Valley from Cheap Joe's

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posted by Annie Strack @ 4:59 PM   1 Comments

Saturday, July 16, 2016

another new painting!

Here's my latest watercolor painting! I just finished this one, and sent the image off to the National Watercolor Society for jurying. Wish me luck! I've been recovering from surgery for the past month, and spent the time in my studio working on the complexities of this painting. I'm writing a step by step tutorial using this painting, and soon I'll post the link to where you can find that free tutorial. Many thanks to my friends on Instagram, Facebook, and Twitter who come to my rescue and help me with the titles for my latest paintings!
A Tug at My Heart, 20x14 watercolor 
 More sponsorships are rolling in for Plein Air Brandywine Valley! We are now up to thirteen Merit Awards of fabulous merchandise and gift certificates, including the latest from Vasari Oil Colors. Vasari oils are completely hand made of the finest oil and pigments and made in the US. Two lucky artists will win $250 Gift Certificates from Vasari, who has also generously provided two $100 Gift Certificates to be used as awards in the Quick Draw and the Nocturne painting competitions!
Merit Awards provided by Vasari Oil Colors

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posted by Annie Strack @ 2:00 PM   0 Comments

Friday, February 12, 2016

Recent demo paintings from my classes and workshops!

I've been so busy since my return from teaching a workshop in New Orleans, that I never got around to posting my demo paintings! I painted eight paintings during my 3-day workshop for the West Bank Art Guild, but I only have four paintings to show you because the other four paintings all sold during the workshop to some of my lovely students. The West Bank Art Guild purchased my primary painting from my workshop, and they will raffle it off to their members. The primary painting contained boats, water, trees, and buildings, so we worked on it a little each day of the workshop. We also did a couple or more "studies" each day, to practice the techniques for painting skies, water, reflections, values, mixing colors, using masking fluid, drawing perspective, creating textures, and tons of other great secrets and tips.
Awesome Artists hard at work in my workshop for the West Bank Art Guild!
Beach, 18x24 watercolor $195.

Beach, 18x24 watercolor $195.

Lake Road, 18x24 watercolor $195.

Marsh Sunset, 18x24 watercolor $195.
In my weekly class at the Community Arts Center, we worked on identifying cool and warm colors and optimum placement of them in compositions. We then painted a simple sunflower painting using a split primary palette system, learning how to mix all the necessary secondary and tertiary colors using a warm and a cool triad of primary colors. 
Split primary color wheels.

Sunflower, 16x12 watercolor, $95. 

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posted by Annie Strack @ 8:01 PM   0 Comments

Tuesday, February 9, 2016

Paint with me in Spain!

I've just been booked (yesterday!) to teach a watercolor workshop in Costa Brava, Spain -- and it's already selling out fast! There are only 8 spaces left! This plein air watercolor painting workshop is May 1 - 8, 2017. The itinerary includes museums, medieval villages, botanical gardens, castles, fishing villages, and the beautiful coastal seashore of the Costa Brava in northern Spain.


Sign up NOW to reserve your space, before it's all sold out! Contact Jackie at French Escapade tours for more information or to sign up!

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posted by Annie Strack @ 3:04 PM   0 Comments

Sunday, July 26, 2015

Canson's Moulin du Roy Watercolor Paper!

I'm very excited to try the new Moulin du Roy line of watercolor papers from Canson! These papers have a nice surface and are available in the usual array of weights, sizes, and textures. The big difference with this paper, is that it's sized with starch -- not with gelatin. That makes it completely vegan! Using 100% plant-based materials (it's also 100% acid free cotton, too!) makes it less expensive than papers using gelatin for sizing, and artists will happily notice that those savings are reflected in the low retail price of this product.



Canson also sent a whole lot of sample packs of this paper to me, and I'll be giving these away (along with lots of other great freebies!) at my painting demonstration for the Delaware Watercolor Society on Tuesday, November 10th. Everyone is welcome to come watch my demo, you don't have to be a member to attend.  I hope I see you there!

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posted by Annie Strack @ 9:36 AM   0 Comments

Wednesday, July 1, 2015

I've been so busy, I haven't had a chance to photograph my paintings from the Cedarburg Plein Air last week! I pulled out of the Plein Air early and spent the last week visiting my sister and her family in northern Wisconsin. I had already turned in my 1st Quick-Paint entry, so I don't have a photo of that one, but here are all the other paintings. Because I only stayed in the Plein Air for the first week, I wasn't able to enter any of these in competition and sale the following week. So these are all available for sale now!

Cedar River Falls, 8x10 oil (SOLD)


Cedarburg Forge, 8x10 oil (SOLD)
 
Port Washington Beach, 8x10 oil

Cedarburg Bridge, 8x10 oil

Foggy Morning, 8x10 oil
Port Washington Sunrise, 8x10 oil


Yellow Water Lilies, 5x7 oil (this was my second painting in the Quick-Paint competition)
 
All of the eight paintings I painted during the Cedarburg Plein Air are on Fredrix canvas panels and painted with Grumabacher Pre-Tested Artist Oils -- my preferred art supplies for painting en plein air!

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posted by Annie Strack @ 9:33 PM   0 Comments

Saturday, May 30, 2015

Painting in the footsteps of Andrew Wyeth

On Wednesday I joined my friends in the Philadelphia Watercolor Society at Kuerner Farm in Chadds Ford for a day of painting en plein air. A total of a dozen artists participated in the event, some driving from the other side of Pennsylvania and others from as far away as Delaware, Maryland, and Virginia. Kuerner Farm is famous for being the favorite painting location of Andrew Wyeth, and it's buildings and fields are the subjects and backdrops in hundreds of his paintings.
Sarah Yeoman, Janet Means Belich, and others painting in the shade of the farmhouse at Kuerner Farm.

Chris Krupinski painting the scenes that were once painted by Andy Wyeth.

The doghouse at Keurner Farm is a charming subject for artists to paint.

The Kuerner Farm springhouse provides a rustic feeling to the landscape.

Kuerrner Farm Doghouse, 8x5 watercolor and ink (sold)
 I sketched this scene of the doghouse using pen and ink and layered a watercolor wash over it using my Sennelier watercolors. The paper is handmade 140# from Garza Papel. Like all fine handmade papers, it has four deckled edges and an extremely bright white surface. The cold-pressed surface is a little softer than other brands of papers, giving it a velvety feel. I found it to be easy to work on, nice texture, wonderful color, and it has perfect amount of sizing which made it easy to move the paint around on it.
Kuerner Farm Springhouse, 5x8 watercolor
The Springhouse at Kuerner Farm was my first painting of the day. The sky was overcast most of the day, and the sun didn't come out until mid afternoon. When it did, the temperature soared into the nineties and it quickly became blistering hot. I painted this on 90# paper from Garza Papel, which of course did not perform as well with water as did their heavier paper. It is much softer, and much more absorbent. However, it is still a very fine handmade paper and perfect for drawings and sketches, and it is also brilliant white in color with four lovely deckled edges.

I found these papers from Garza Papel to be superior to machine made and mold made papers, particularly the brightness of the paper, the sizing, and deckled edges. Thank you, Garza Papel, for sending me these samples of your lovely papers!

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posted by Annie Strack @ 7:48 PM   0 Comments

Friday, May 22, 2015

Painting at Kuerner Farm

I have wonderful news! I just found out I've been invited back as a jury-exempt artist in the Plein Air Brandywine Valley this year! This prestigeous painting competition will be held in October, with the artwork exhibited at Winterthur Estate and Gardens in Wilmington, Delaware. This is my fourth year in this event, and because I am consistantly one of the top selling artists, it's my second year as an invited artist. The painting locations include the famous gardens and sites near my studio, as well as several private estates and gardens belonging to Du Pont family members. Even better, some of my old plein air painting buddies from New Orleans -- Carol Hallock and Mary Monk -- are coming up to paint with me, and will be staying at my house during the event. The event is currently accepting  artist applications fro jurying, if you're interested in applying you can click on the link for more information. 
In the meantime, I'm getting ready for my next plein air event of the summer -- the Philadelphia Watercolor Society Plein Air at Kuerner Farm in Chadds Ford next Wednesday. This is a small one-day event, and it's non-competitive -- painting just for fun! I won't be giving any formal lessons during this event, but you're welcome to come and watch and me paint! 

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posted by Annie Strack @ 12:25 PM   0 Comments

Thursday, May 14, 2015

Chester County Studio Tour is this Weekend!

I almost forgot to tell you -- this weekend is the annual Chester County Studio Tour! My studio is one of the 47 studios on the tour, with over 100 artists participating. I'll be open 10-6 pm on Saturday and Sunday, and  the studio is stocked with tons of food and drinks for the weekend. There's lot's of art, painting demonstrations, door prizes, and more! Be sure to come on out and visit me at Annie Strack Art Studio, 105 Kabob Lane, Kennett Square. 
My studio is number 43 on the map pictured below. It is right off of Creek Road (SR 82), between Hillendale and McFarlan Roads. See ya there!

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posted by Annie Strack @ 4:59 PM   0 Comments

Monday, April 27, 2015

Painting en plein air at the John James Audubon house was so much fun last week, I decided to get out my watercolor pans and paint some more. This little gem is Haskell's farm, off of Creek road in Chadds Ford. A lovely place to paint!
Haskell's Barn, 5x8 watercolor, $79.
Haskell's Farm, 5x8 watercolor (SOLD)

Also, I married my darling Park Ranger 30 years ago, today! Back then, we were living at Big Cypress National Preserve. He worked for the Park, and I was a Game Warden for the state. It's been a wonderful life, traveling to and living in National Parks around the globe. Someday, when we get old and tired, we might settle down somewhere.
Brian and Annie, 1985

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posted by Annie Strack @ 4:35 PM   0 Comments

Tuesday, April 21, 2015

New Plein Air Paintings!

I had a blast, painting in the plein air competition at the John James Audubon Center at Mill Grove this past weekend! About 50 artists participated in the three day event, and the paintings will be displayed this Friday in the Audubon barn. It was my first plein air event of the year, and I'm not quite up to full speed yet after my emergency heart surgery last month, so I only painted one painting each day. 
Perkiomen River, 8x10 oil, $195.
I painted this view of the Perkiomen River from the back porch of the Audubon Museum. The trees were just starting to bloom that day - they were still bare in the morning, and by the afternoon a green halo had appeared around all the trees.

Bat House, 8x10 oil (SOLD).
 This large bat habitat stands behind the Audubon barn, and from a distance looks like a tree house. It  housed hundreds of bats, but unfortunately it's now empty due to the White Nose Syndrome epidemic.
Audubon Pines, 8x10 oil, $195.
On the second day of the plein air, the hardwoods were still bare. I found a willing subject in this pair of pine trees, across from the front door of the Audubon Museum. Bird feeders and houses were hanging everywhere on this property, and the trees were full of wildlife. It is a wonderful place to go and paint! This site is the former home of John James Audubon, and is next to Valley Forge Nat'l Park.

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posted by Annie Strack @ 10:56 PM   0 Comments

Sunday, March 29, 2015

How to Write Your Artist Statement


I've had a lot of requests lately from artists asking for help with writing their artist statements, so I'm reposting this article on the subject that I wrote several years ago for Art Calendar magazine. I hope it helps make the writing process easier for some of my followers!

Writing Your Artist Statement
By Annie Strack (c) 2007

Sooner or later every artist is asked to provide an artist statement. If you sell your work through galleries, you’ll find that most of them will ask you to provide a statement that they can refer to when talking about you and your work to a client. Art festivals sometimes require artists to display their statement in the booth. If you find yourself being interviewed by the media, the information in your statement helps to provide them with your background information and serves as a written resource for them to garner direct quotes. More importantly, buyers like to read them. As an artist, people are interested in you and what you do, and genuinely want to know.

There used to be a time when artists would fold their arms across their chest and haughtily say “my work speaks for it’s self.” In today’s world, that attitude and response finds little acceptance. An artist who is prepared and willing to talk about themselves and their art has a distinct advantage when it comes to promoting their art. The artist statement conveys that you are professional and serious about your career, passionate about your work, and dedicated to your creative mission.

The Artist Statement is one of the three basic building blocks of your marketing plan, the others being your resume and your biography. Your Statement is an essential component of your overall plan, explaining who you are, what you do, how you do it, and why you do it. It clarifies and explains your artistic mission, philosophy, and ideas to the reader, and also sometimes to you.

You can start the process of developing your Artist Statement by answering four basic questions:

  •  Who you are
  •  What you do
  •  How you do it
  •  Why you do it.

Write your answers in first person, using descriptive adjectives but leaving out any technical jargon that the reader may not understand.

Who are you?
Think about what has influenced you and your work. Have you lived in interesting places? Have family, friends, mentors, or schools influenced you? Have you had a life altering experience? Write a few sentences about how these, and other things, shaped who you are or guided your work. For example: “In the course of building my own boat and sailing it around the world, I spent several of the most inspiring years of my life on the islands of the Caribbean. The people I met and the places I visited influenced me tremendously, and stimulated my desire to record my travels in the form of art.” Or maybe: “As a child living in the remote mountains of Montana, I grew up surrounded by the unspoiled vistas of the wilderness. At an early age I acquired a passion for the environment, and often hiked the verdant trails sketching and painting the beauty of nature.”

What do you do?
Now write a few sentences about what you do; the style, genre, and subject matter of your art. For instance, “I paint tropical landscapes in an impressionist style, hoping to convey the beauty and lushness of the hot steamy jungles and sun drenched beaches.” Or, “I paint wildlife in its natural setting, to share with others the majesty of these creatures and the splendor of their environment.”

How do you do it?
Write a few sentences about your artistic process, from start to finish. Do you work in the studio, or on location? What media do you use, and how do you use it? Why do you prefer this media, subject, and style? For example: “I paint in the studio using reference photos gathered from my travels through the Caribbean. I choose to paint in oils because the richness and thickness of the paint allows me to build up the texture of the painting and express the vibrant deep colors of my subjects. I prefer to paint in the impressionist style, using broad loose brushstrokes to convey the sultry hot breezes of the tropics, and the dancing light and shadows of the tropical sun.” Or, “I travel the world on photographic safaris with my camera, to seek out my subjects in their natural habitat. I prefer to work primarily with colored pencils because it affords me the control to accurately capture details and to effectively portray the individual character and personality of each animal.”

Why do you do it?
Write a few sentences about your life as it relates to your art, and what message you are trying to convey to the viewer. Explain what you find to be rewarding or meaningful about your work. Think about your own emotional connection to your art, and what you want viewers to think or feel when looking at your art. Maybe you have a personal philosophy about life or art that you can share in your statement. Here are a few examples: “Each painting portrays my own private sanctuary, and I hope to share with others the peace and serenity I feel when I paint. I want the viewer to be able to take a vacation in my paintings, to escape to my tranquil beaches and stand with me under my swaying palms and tropical skies.” Or, “Each of these wildlife paintings is a way for me to share my passion for nature and the environment with others. I strive to raise the viewer’s awareness of our environment, and share with them the fragile and fleeting splendor of our natural resources.”

I’ve given you a few examples, now it’s your turn. Think about these four basic questions and jot down your own answers. Once you have all of your ideas written down, it’s time to string them together and arrange them into meaningful sentences and paragraphs that will fit onto one page as your finished Artist Statement. Compose it as if you were writing poetry, using descriptive words that paint an image in the readers mind of who you are, what you do, how you do it, and why.

Don’t forget, your artist statement, resume, and bio are useful tools that you can use and refer to when creating other promotional materials. Once you have these materials prepared, you can excerpt information from these documents for your future press releases, brochures, flyers, interviews, etc., making each of these processes simpler to accomplish.

###
 
This article was first published in Art Calendar magazine in 2007 and reprinted in the book (The Artists Guide To) Art Business and Marketing in 2008. Annie Strack is an Official Authorized Artist for the U.S. Coast Guard and has earned Signature Membership in dozens of artist societies. Her artwork has received hundreds of awards and hangs in more than 1,000 public and private collections worldwide. In addition to being a highly acclaimed juror for art shows and popular workshop instructor, she is the producer and host of Painting Seascapes in Watercolor, which is broadcast on television stations worldwide and also available on DVD. Annie draws experience from her former career in corporate management to build a successful art career, and she shares her knowledge of business and marketing in her articles for Art Calendar, Professional Artist, and The Crafts Report magazines. 

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posted by Annie Strack @ 8:24 PM   1 Comments

Monday, February 2, 2015

Art Tip: How to paint a Sunset

One of my most popular 1-day workshop subjects is "How to Paint Skies." I teach my students how to paint a variety of different atmospheric conditions in skies, such as different types of clouds, sunny weather, rainy skies, stormy skies, fog, etc. My students always enjoy painting sunsets, which are the most difficult because of the multiple colors introduced to the wash.

The most common mistake that watercolor painters make, is layering colors or letting the wrong colors mix on the paper, resulting in the odd colors. For instance, both yellow and blue can be found in the sky during a sunset, but if the yellow and blue are layered or mixed on the paper they will result in green -- a color that is not found in the sky.


(Sunset, 9x12 WC, $125)
The second biggest mistake artists make when painting sunsets, is not painting the colors in the order of the color spectrum. The colors in a sunset (or sunrise) follow the same spectrum order as the colors in a rainbow. The color closest to the Sun is yellow, the next color is orange, then red, with violet being the color that appears furthest from the light source. The sky might be dark blue or light blue depending on the position of the Sun. Values will also deepen as they get further from the light source, with the lightest value being the light source, itself.

The third mistake artists make, is not realizing that sunset colors only appear on clouds. The sky doesn't reflect the colors -- the colors are reflected on particles of water, which is why the colors appear on the clouds.

In this demonstration painting, I started by painting a wet-on-wet blue wash for the sky, and blotted out the edges of the clouds. Then, starting with the Sun's position in the center of the horizon, I used yellow ochre and worked my way outward using cadmium orange, permanent red, and dioxide violet. Some of the colors overlapped each other, which is fine because the overlapping colors are analogous so the order of the color spectrum is still maintained. A few more cloud layers were blotted out while the colors were still wet. To create the reflection in the water, I did the same thing but without the blotting, and I kept the water movement horizontal in appearance.

I teach this in workshops pretty often, so keep an eye out for a workshop near you!

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posted by Annie Strack @ 3:52 PM   3 Comments

Tuesday, June 3, 2014

Recent Plein Air

I finished up three paintings using the new oil paints from Grumbacher last week during two great plein air painting trips!
Chatting with fellow plein air painter Radhika Srinivas at the Kirkwood Preserve.

On Wednesday I went to the Allentown Rose Garden to paint en plein air with fellow artist Nancy Reidell.

Artists have to make their own shade on sunny days!

The 1st of my 3 oil painting during the Philadelphia Watercolor Society plein air event.

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posted by Annie Strack @ 8:55 PM   0 Comments

Sunday, April 6, 2014

Watercolor Painting Tutorial, Boats and Reflections

I started this painting a couple of months ago, but then I got distracted by classes and workshops and I didn't get around to finishing it until Friday at my Open Studio event. I had quite a crowd coming and going all day at my studio, and I always seem to get more work done when I paint in public!
Drawing the details. I draw as much as I can see, and a few things that I can't see but I know have to be there. I draw a suggestion of the reflections, but that is always likely to change as I paint.

I masked out the boats and painted in the sky and the lightest values of the water, using magnesium blue, cobalt, and payne's grey.

I used a wet into wet technique to create the dark background of the trees with indigo, payne's grey. sepia, yellow ochre. I also splattered paint, and dropped some intentional water blooms into the background to move the paint around and add interest.

As I worked on the trees and background, I also worked in the reflections at the same time, while I had the same  color on my brush to match the background.  

I used a Faux Squirrel Reservoir Liner brush from Dynasty Brush to paint the cypress trees in the background. The brush made it easy to loosely paint the branches and moss.

At this point, I wasn't happy with the vertical lines created by the reflections, so I wetted a few spots and wiped the paint out. I then went back and added more of the blues. It worked, and the water now appeared to be more "wet."



After the water and the background were done, I peeled off the masking fluid and began to paint the boats. I used my Faux Kolinsky from Dynasty Brush for this -- the brush has lots of spring and it's very responsive, and it keeps a fine point while holding los of water and paint.  


Some of the boats in my reference photo are different colors, with varying trims and canvases. I decided to make all the hulls white, and all the trims and canvases ultramarine blue.  


To add the focal point, I used the complimentary cadmium orange on a kayak in the "sweet spot" of the painting.  It looked a little off, so I added a red life ring on the boat next to it so that the orange didn't seem so isolated.

Lastly, I added the reflections of the orange and the red in the water, and this is the finished painting! I haven't titled this one yet, and I'm open to suggestions. This 14x20 painting will be going off to juried art shows soon, but it is available for pre-sale at $1095.

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posted by Annie Strack @ 8:32 PM   4 Comments

All images and content copyright Annie Strack 2026. Although I occasionally receive compensation for some posts, I always give my honest opinions, findings, beliefs, or experiences on those topics or products. The views and opinions expressed on this blog are purely my own.